The topology of Shakespearean Social Networks
Tags: projects, programming, research
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In a previous article, I have already talked about the motivation behind analysing social networks of Shakespeare’s plays. Since then, I have pursued this subject somewhat further. In particular, I took some time to formulate a more methodical analysis approach.
The result is a nice short paper, titled ‘Shall I compare thee to a network?’—Visualizing the Topological Structure of Shakespeare’s Plays. I was very honoured to present this at the 2016 Workshop on Visualization for the Digital Humanities at IEEE Vis 2016. It was a great venue with lots of interesting papers and I urge you to take a look at the list of submissions.
Our paper follows the basic strategy outlined in the previous blog post. Hence, we first extract a co-occurrence network between characters of a play is being extracted. There are numerous ways of doing that, and each different way influences the structures that may be detected in a subsequent analysis step. In the paper, I present two different weight schemes. One is based on the amount of speech uttered by each character, the other one measures the point in time at which characters start to interact with each other.
The co-occurrence network is then subjected to a topological analysis based on persistent homology. Basically, we consider the network to grow in accordance to the weights. This permits us to treat it as a graph-based filtration, which in turn means that we may calculate persistence diagrams and, from that, derive a measure of dissimilarity. The interesting thing here is that this approach results in well-defined distances between individual plays—meaning that we can measure structural differences and structural similarities.
The paper contains some results that appear to indicate the utility of this approach. Without further training, our algorithm is capable of figuring out that All’s Well That Ends Well is a comedy that is structurally extremely dissimilar to all remaining comedies. This is interesting, insofar as this play is considered to be one of “Shakespeare’s problem plays”.